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Pagina 380
The contemplation of the observed movement awakens the tendency to a
corresponding self - activity ; and by corresponding we mean that which would be
... This takes place the more certainly , the more I am absorbed in the
contemplation .
The contemplation of the observed movement awakens the tendency to a
corresponding self - activity ; and by corresponding we mean that which would be
... This takes place the more certainly , the more I am absorbed in the
contemplation .
Pagina 381
And this means , for example , that the feelings of my bodily states must
disappear from consciousness to the degree in which I am engrossed in the
contemplation of the esthetic object - to which the states of my body simply
cannot belong .
And this means , for example , that the feelings of my bodily states must
disappear from consciousness to the degree in which I am engrossed in the
contemplation of the esthetic object - to which the states of my body simply
cannot belong .
Pagina 382
sense - feelings which a real man would have who thus arises , do not exist for
my esthetic contemplation , any more than my own sense - feelings so exist .
What I immediately intuit in the plastic form is its willing , the power , the pride .
sense - feelings which a real man would have who thus arises , do not exist for
my esthetic contemplation , any more than my own sense - feelings so exist .
What I immediately intuit in the plastic form is its willing , the power , the pride .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |