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Pagina 378
And this wish is again something different from the observed arm and the merely contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the ...
And this wish is again something different from the observed arm and the merely contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the ...
Pagina 380
But this does not eliminate my inner activity , the striving and satisfaction I feel as I contemplate the move- ments ... activity can be satisfied in the contemplation of the very movement that releases the desire for imitation .
But this does not eliminate my inner activity , the striving and satisfaction I feel as I contemplate the move- ments ... activity can be satisfied in the contemplation of the very movement that releases the desire for imitation .
Pagina 382
sense - feelings which a real man would have who thus arises , do not exist for my esthetic contemplation , any more than my own sense - feelings so exist . What I immediately intuit in the plastic form is its willing , the power ...
sense - feelings which a real man would have who thus arises , do not exist for my esthetic contemplation , any more than my own sense - feelings so exist . What I immediately intuit in the plastic form is its willing , the power ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York