A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 378
... contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the more involuntary will be the imitation . Conversely , the more involuntary the ...
... contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the more involuntary will be the imitation . Conversely , the more involuntary the ...
Pagina 380
... contemplation of the very movement that releases the desire for imitation . So this desire needs no further satisfaction , and in particular not the satis- faction afforded by the kinesthetic events occurring in one's own body . The ...
... contemplation of the very movement that releases the desire for imitation . So this desire needs no further satisfaction , and in particular not the satis- faction afforded by the kinesthetic events occurring in one's own body . The ...
Pagina 382
... contemplation , any more than my own sense - feelings so exist . What I immediately intuit in the plastic form is its willing , the power , the pride . Only this lies for my contemplation immediately in the contemplated object . And to ...
... contemplation , any more than my own sense - feelings so exist . What I immediately intuit in the plastic form is its willing , the power , the pride . Only this lies for my contemplation immediately in the contemplated object . And to ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York