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Pagina 378
And this wish is again something different from the observed arm and the merely contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the ...
And this wish is again something different from the observed arm and the merely contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the ...
Pagina 380
But this does not eliminate my inner activity , the striving and satisfaction I feel as I contemplate the move- ments ... activity can be satisfied in the contemplation of the very movement that releases the desire for imitation .
But this does not eliminate my inner activity , the striving and satisfaction I feel as I contemplate the move- ments ... activity can be satisfied in the contemplation of the very movement that releases the desire for imitation .
Pagina 382
sense - feelings which a real man would have who thus arises , do not exist for my esthetic contemplation , any more than my own sense - feelings so exist . What I immediately intuit in the plastic form is its willing , the power ...
sense - feelings which a real man would have who thus arises , do not exist for my esthetic contemplation , any more than my own sense - feelings so exist . What I immediately intuit in the plastic form is its willing , the power ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York