A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 378
... contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the more involuntary will be the imitation . Conversely , the more involuntary the ...
... contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the more involuntary will be the imitation . Conversely , the more involuntary the ...
Pagina 380
... contemplation of the very movement that releases the desire for imitation . So this desire needs no further satisfaction , and in particular not the satis- faction afforded by the kinesthetic events occurring in one's own body . The ...
... contemplation of the very movement that releases the desire for imitation . So this desire needs no further satisfaction , and in particular not the satis- faction afforded by the kinesthetic events occurring in one's own body . The ...
Pagina 382
... contemplation , any more than my own sense - feelings so exist . What I immediately intuit in the plastic form is its willing , the power , the pride . Only this lies for my contemplation immediately in the contemplated object . And to ...
... contemplation , any more than my own sense - feelings so exist . What I immediately intuit in the plastic form is its willing , the power , the pride . Only this lies for my contemplation immediately in the contemplated object . And to ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York