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Pagina 163
But this affective basis is the " reasoning " of the dream , and directs its course . It is the latent content . . . . Dreams , then , contain a manifest and a latent content . The manifest content is imagic phantasy , the latent ...
But this affective basis is the " reasoning " of the dream , and directs its course . It is the latent content . . . . Dreams , then , contain a manifest and a latent content . The manifest content is imagic phantasy , the latent ...
Pagina 271
We cannot leave these changes out of account in speculating about modern poetry , though , of course , arguments from them are no valid ground for appraisal . When attitudes are changing neither criticism nor poetry remain stationary .
We cannot leave these changes out of account in speculating about modern poetry , though , of course , arguments from them are no valid ground for appraisal . When attitudes are changing neither criticism nor poetry remain stationary .
Pagina 478
The answer , of course , in the light of our present analysis , is simple . If the " literary " values integrate in their feeling references with the plastic values , or vice versa , they are intrinsic materials of the work of art .
The answer , of course , in the light of our present analysis , is simple . If the " literary " values integrate in their feeling references with the plastic values , or vice versa , they are intrinsic materials of the work of art .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York