A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 245
... course is by no means a mere “ expression of the emotions ” : value properties are objectively relative properties of objects and in dealing with them esthetic dis- course is concerned with the same world with which science and ...
... course is by no means a mere “ expression of the emotions ” : value properties are objectively relative properties of objects and in dealing with them esthetic dis- course is concerned with the same world with which science and ...
Pagina 271
... course , arguments from them are no valid ground for appraisal . When attitudes are changing neither criticism nor poetry remain sta- tionary . To those who realize what the poet is this will be obvious ; all literary history bears it ...
... course , arguments from them are no valid ground for appraisal . When attitudes are changing neither criticism nor poetry remain sta- tionary . To those who realize what the poet is this will be obvious ; all literary history bears it ...
Pagina 478
... course , in the light of our present analysis , is simple . If the " literary " values integrate in their feeling references with the plastic values , or vice versa , they are intrinsic materials of the work of art . Moreover , an ...
... course , in the light of our present analysis , is simple . If the " literary " values integrate in their feeling references with the plastic values , or vice versa , they are intrinsic materials of the work of art . Moreover , an ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York