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Pagina 163
But this affective basis is the “ reasoning ” of the dream , and directs its course . It
is the latent content . ... Dreams , then , contain a manifest and a latent content .
The manifest content is imagic phantasy , the latent content is affective reality .
But this affective basis is the “ reasoning ” of the dream , and directs its course . It
is the latent content . ... Dreams , then , contain a manifest and a latent content .
The manifest content is imagic phantasy , the latent content is affective reality .
Pagina 271
We cannot leave these changes out of account in speculating about modern
poetry , though , of course , arguments from them are no valid ground for
appraisal . When attitudes are changing neither criticism nor poetry remain
stationary .
We cannot leave these changes out of account in speculating about modern
poetry , though , of course , arguments from them are no valid ground for
appraisal . When attitudes are changing neither criticism nor poetry remain
stationary .
Pagina 478
The answer , of course , in the light of our present analysis , is simple . If the "
literary " values integrate in their feeling references with the plastic values , or
vice versa , they are intrinsic materials of the work of art . Moreover , an
integration of ...
The answer , of course , in the light of our present analysis , is simple . If the "
literary " values integrate in their feeling references with the plastic values , or
vice versa , they are intrinsic materials of the work of art . Moreover , an
integration of ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |