A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 144
... creation is very strange , and the exact opposite of what we find in the psychological mode of creation . We are even led to suspect that this obscurity is not unintentional . We are naturally inclined to suppose - and Freudian ...
... creation is very strange , and the exact opposite of what we find in the psychological mode of creation . We are even led to suspect that this obscurity is not unintentional . We are naturally inclined to suppose - and Freudian ...
Pagina 249
... created is not the same in any two distinct arts - this is , in fact , what makes them distinct - but the principle of creation is the same . And “ living form " means the same in all of them . ( A work of art is an expressive form created ...
... created is not the same in any two distinct arts - this is , in fact , what makes them distinct - but the principle of creation is the same . And “ living form " means the same in all of them . ( A work of art is an expressive form created ...
Pagina 463
... creating it , and in appraising it ; and no critic can afford to be entirely deficient in any one of these three ... created and enjoyed.5 5 It might perhaps be argued that the professional critic's special prerogative is to offer ...
... creating it , and in appraising it ; and no critic can afford to be entirely deficient in any one of these three ... created and enjoyed.5 5 It might perhaps be argued that the professional critic's special prerogative is to offer ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York