A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 68
Pagina 152
... creative fire . It is as though each of us were endowed at birth with a certain capital of energy . The strongest force in our make - up will seize and all but monopolize this energy , leaving so little over that nothing of value can ...
... creative fire . It is as though each of us were endowed at birth with a certain capital of energy . The strongest force in our make - up will seize and all but monopolize this energy , leaving so little over that nothing of value can ...
Pagina 335
... creative powers , and the young artist may eventually become the founder of a new type of drama or musical form . In ... creative performance . Nor are individual type patterns free of disadvantages and perils for the creative artist . A ...
... creative powers , and the young artist may eventually become the founder of a new type of drama or musical form . In ... creative performance . Nor are individual type patterns free of disadvantages and perils for the creative artist . A ...
Pagina 516
... Creative Process , University of Kansas , 1958 . Lawrence , D. H. , Psychoanalysis and the Unconscious , New York , 1921 . Lee , Harry B. , " The Creative Imagina- tion , " Psychoanalytic Quarterly , Vol . 18 ( 1949 ) , pp . 351-60 ...
... Creative Process , University of Kansas , 1958 . Lawrence , D. H. , Psychoanalysis and the Unconscious , New York , 1921 . Lee , Harry B. , " The Creative Imagina- tion , " Psychoanalytic Quarterly , Vol . 18 ( 1949 ) , pp . 351-60 ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York