A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina xviii
... definition . Rather than the advice . of Wittgenstein , “ Beware of definition , " I prefer the guiding principle , “ Seek definition but distrust it . " This recognizes the virtue of defining while adding the necessary note of caution ...
... definition . Rather than the advice . of Wittgenstein , “ Beware of definition , " I prefer the guiding principle , “ Seek definition but distrust it . " This recognizes the virtue of defining while adding the necessary note of caution ...
Pagina 202
... definition of art itself , Parker insists that what is needed is a complex definition rather than a simple one . " The definition of art must therefore be in terms of a complex of characteristics . Failure to recognize this has been the ...
... definition of art itself , Parker insists that what is needed is a complex definition rather than a simple one . " The definition of art must therefore be in terms of a complex of characteristics . Failure to recognize this has been the ...
Pagina 206
... definition of this closed concept ; although it can also be , as it unfortunately has been , conceived as a purported real definition of " tragedy , " in which case it suffers from the logical mistake of trying to define what cannot be ...
... definition of this closed concept ; although it can also be , as it unfortunately has been , conceived as a purported real definition of " tragedy , " in which case it suffers from the logical mistake of trying to define what cannot be ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York