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Pagina 63
If we say that the aim of any activity is merely our pleasure and define it solely by that pleasure , our definition will evidently be a false one . But this is precisely what has occurred in the efforts to define art .
If we say that the aim of any activity is merely our pleasure and define it solely by that pleasure , our definition will evidently be a false one . But this is precisely what has occurred in the efforts to define art .
Pagina 202
In his writings on art , Parker persistently calls into question the traditional simpleminded definitions of ... 2 But instead of inveighing against the attempt at definition of art itself , Parker insists that what is needed is a ...
In his writings on art , Parker persistently calls into question the traditional simpleminded definitions of ... 2 But instead of inveighing against the attempt at definition of art itself , Parker insists that what is needed is a ...
Pagina 206
to ensure any set of defining properties . ... Aristotle's definition , false as it is as a theory of all ... 7 properly called " tragedies , " can be interpreted as a real ( albeit incorrect ) definition of this closed concept ...
to ensure any set of defining properties . ... Aristotle's definition , false as it is as a theory of all ... 7 properly called " tragedies , " can be interpreted as a real ( albeit incorrect ) definition of this closed concept ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |