A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 63
... define it solely by that pleasure , our definition will evidently be a false one . But this is precisely what has occurred in the efforts to define art . . . . What is art if we put aside the conception of beauty , which confuses the ...
... define it solely by that pleasure , our definition will evidently be a false one . But this is precisely what has occurred in the efforts to define art . . . . What is art if we put aside the conception of beauty , which confuses the ...
Pagina 202
... definition of art itself , Parker insists that what is needed is a complex definition rather than a simple one . " The definition of art must therefore be in terms of a complex of characteristics . Failure to recognize this has been the ...
... definition of art itself , Parker insists that what is needed is a complex definition rather than a simple one . " The definition of art must therefore be in terms of a complex of characteristics . Failure to recognize this has been the ...
Pagina 206
... definition of this closed concept ; although it can also be , as it unfortunately has been , conceived as a purported real definition of " tragedy , " in which case it suffers from the logical mistake of trying to define what cannot be ...
... definition of this closed concept ; although it can also be , as it unfortunately has been , conceived as a purported real definition of " tragedy , " in which case it suffers from the logical mistake of trying to define what cannot be ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York