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Pagina 63
If we say that the aim of any activity is merely our pleasure and define it solely by that pleasure , our definition will evidently be a false one . But this is precisely what has occurred in the efforts to define art .
If we say that the aim of any activity is merely our pleasure and define it solely by that pleasure , our definition will evidently be a false one . But this is precisely what has occurred in the efforts to define art .
Pagina 202
In his writings on art , Parker persistently calls into question the traditional simpleminded definitions of ... 2 But instead of inveighing against the attempt at definition of art itself , Parker insists that what is needed is a ...
In his writings on art , Parker persistently calls into question the traditional simpleminded definitions of ... 2 But instead of inveighing against the attempt at definition of art itself , Parker insists that what is needed is a ...
Pagina 206
to ensure any set of defining properties . ... Aristotle's definition , false as it is as a theory of all ... 7 properly called " tragedies , " can be interpreted as a real ( albeit incorrect ) definition of this closed concept ...
to ensure any set of defining properties . ... Aristotle's definition , false as it is as a theory of all ... 7 properly called " tragedies , " can be interpreted as a real ( albeit incorrect ) definition of this closed concept ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York