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Pagina 105
That is to say , it is direct knowledge of the world as it is , direct acquaintance with things , with characters , with appearance , and this is the primary knowledge of the artist and writer . This joy of discovery is his starting ...
That is to say , it is direct knowledge of the world as it is , direct acquaintance with things , with characters , with appearance , and this is the primary knowledge of the artist and writer . This joy of discovery is his starting ...
Pagina 290
We may admit the correctness of our direct perceptions that works of art are great and small , and not merely perfect and imperfect . The feeling we indisputably have , from a great work of art , that a large area of experience has been ...
We may admit the correctness of our direct perceptions that works of art are great and small , and not merely perfect and imperfect . The feeling we indisputably have , from a great work of art , that a large area of experience has been ...
Pagina 355
For at the bottom of that cultivation there must be the direct and immediate experience of living itself : we must directly see , feel , touch , manipulate , sing , dance , communicate before we can extract from the machine any further ...
For at the bottom of that cultivation there must be the direct and immediate experience of living itself : we must directly see , feel , touch , manipulate , sing , dance , communicate before we can extract from the machine any further ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |