A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 61
... direct observation . The artist , on the other hand , is one whose imagination , impressionability - in a word , whose personality is so lively and excitable that it spontaneously transforms everything , dyeing them in its own colors ...
... direct observation . The artist , on the other hand , is one whose imagination , impressionability - in a word , whose personality is so lively and excitable that it spontaneously transforms everything , dyeing them in its own colors ...
Pagina 80
... direct and sympathetic vision of reality . HENRI BERGSON The Individual and the Type What is the object of art ? Could reality come into direct contact with sense and consciousness , could we enter into immediate communion with things ...
... direct and sympathetic vision of reality . HENRI BERGSON The Individual and the Type What is the object of art ? Could reality come into direct contact with sense and consciousness , could we enter into immediate communion with things ...
Pagina 297
... direct reactions to music , and even the exponents of this view seem to find it almost impossible , as their writings prove , to hold it consistently . It is also in direct contradiction to the expressed views of some of the great ...
... direct reactions to music , and even the exponents of this view seem to find it almost impossible , as their writings prove , to hold it consistently . It is also in direct contradiction to the expressed views of some of the great ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York