A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 243
... discourse are equally basic . A distinction can be made - analogous to that in the theory of colors— between primary and secondary forms of discourse . Secondary forms of discourse are those built up out of other forms of discourse ...
... discourse are equally basic . A distinction can be made - analogous to that in the theory of colors— between primary and secondary forms of discourse . Secondary forms of discourse are those built up out of other forms of discourse ...
Pagina 244
... discourse ministers to the first interest ; technological discourse to the second . By " esthetic discourse " is meant that specialized type of language which is the actual work of art ( the poem , the painting , the music ) ; the term ...
... discourse ministers to the first interest ; technological discourse to the second . By " esthetic discourse " is meant that specialized type of language which is the actual work of art ( the poem , the painting , the music ) ; the term ...
Pagina 247
... discourse provides such presentation . It is also desirable to know the consequences of proposed courses of action under the conditions which have to be met , and scientific discourse favors such accuracy in prediction . Technological ...
... discourse provides such presentation . It is also desirable to know the consequences of proposed courses of action under the conditions which have to be met , and scientific discourse favors such accuracy in prediction . Technological ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York