A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 243
... discourse are equally basic . A distinction can be made - analogous to that in the theory of colors- between primary and secondary forms of discourse . Secondary forms of discourse are those built up out of other forms of discourse ...
... discourse are equally basic . A distinction can be made - analogous to that in the theory of colors- between primary and secondary forms of discourse . Secondary forms of discourse are those built up out of other forms of discourse ...
Pagina 246
... discourse may be called technological discourse . It is distinguished by such signs as " ought , ” “ should , ” “ do , " " do not . ” A sentence in technological discourse has in function , if not in fact , the form of a command ; its ...
... discourse may be called technological discourse . It is distinguished by such signs as " ought , ” “ should , ” “ do , " " do not . ” A sentence in technological discourse has in function , if not in fact , the form of a command ; its ...
Pagina 247
... discourse favors such accuracy in prediction . Technological discourse gives the stimulation to act upon the techniques deemed effective in the realization of the values sought . Scientific discourse does not entice by the presentation ...
... discourse favors such accuracy in prediction . Technological discourse gives the stimulation to act upon the techniques deemed effective in the realization of the values sought . Scientific discourse does not entice by the presentation ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York