A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 243
... discourse are equally basic . A distinction can be made - analogous to that in the theory of colors— between primary and secondary forms of discourse . Secondary forms of discourse are those built up out of other forms of discourse ...
... discourse are equally basic . A distinction can be made - analogous to that in the theory of colors— between primary and secondary forms of discourse . Secondary forms of discourse are those built up out of other forms of discourse ...
Pagina 246
... discourse may be called technological discourse . It is distinguished by such signs as " ought , " " should , " " do , " " do not . " A sentence in technological discourse has in function , if not in fact , the form of a command ...
... discourse may be called technological discourse . It is distinguished by such signs as " ought , " " should , " " do , " " do not . " A sentence in technological discourse has in function , if not in fact , the form of a command ...
Pagina 247
... discourse provides such presentation . It is also desirable to know the consequences of proposed courses of action under the conditions which have to be met , and scientific discourse favors such accuracy in prediction . Technological ...
... discourse provides such presentation . It is also desirable to know the consequences of proposed courses of action under the conditions which have to be met , and scientific discourse favors such accuracy in prediction . Technological ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York