A Modern Book of Esthetics: An Anthology |
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Pagina 243
tivities and their interrelations by a study of the nature of the forms of discourse
which are the products and the instruments of these activities. In practice each
approach aids the other, and both will be used in the account which follows. It
seems ...
tivities and their interrelations by a study of the nature of the forms of discourse
which are the products and the instruments of these activities. In practice each
approach aids the other, and both will be used in the account which follows. It
seems ...
Pagina 246
The third form of primary discourse may be called technological discourse. It is
distinguished by such signs as "ought," "should," "do," "do not." A sentence in
technological discourse has in function, if not in fact, the form of a command; ...
The third form of primary discourse may be called technological discourse. It is
distinguished by such signs as "ought," "should," "do," "do not." A sentence in
technological discourse has in function, if not in fact, the form of a command; ...
Pagina 247
forms of discourse are often in competition, both because of the differences in
human abilities and because of the shortness of human life. But while the
individual may have to make a choice, society as a whole need not, for the
adequate ...
forms of discourse are often in competition, both because of the differences in
human abilities and because of the shortness of human life. But while the
individual may have to make a choice, society as a whole need not, for the
adequate ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York