A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 42
... distinction made by con- sciousness and language between it and the rest . It will be instructive to notice the degrees of this difference . The bodily pleasures are those least resembling perceptions of beauty . By bodily pleasures we ...
... distinction made by con- sciousness and language between it and the rest . It will be instructive to notice the degrees of this difference . The bodily pleasures are those least resembling perceptions of beauty . By bodily pleasures we ...
Pagina 317
... distinction , but it is a distinction of things not in the poem , and the value lies in neither of them . If substance and form mean anything in the poem , then each is involved in the other , and the question in which of them the value ...
... distinction , but it is a distinction of things not in the poem , and the value lies in neither of them . If substance and form mean anything in the poem , then each is involved in the other , and the question in which of them the value ...
Pagina 363
... distinction . In money - ridden societies , where men play with poker chips instead of with economic and esthetic realities , every attempt is made to disguise the fact that the machine has achieved potentially a new collective economy ...
... distinction . In money - ridden societies , where men play with poker chips instead of with economic and esthetic realities , every attempt is made to disguise the fact that the machine has achieved potentially a new collective economy ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York