A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 42
... distinction made by con- sciousness and language between it and the rest . It will be instructive to notice the degrees of this difference . The bodily pleasures are those least resembling perceptions of beauty . By bodily pleasures we ...
... distinction made by con- sciousness and language between it and the rest . It will be instructive to notice the degrees of this difference . The bodily pleasures are those least resembling perceptions of beauty . By bodily pleasures we ...
Pagina 317
... distinction , but it is a distinction of things not in the poem , and the value lies in neither of them . If substance and form mean anything in the poem , then each is involved in the other , and the question in which of them the value ...
... distinction , but it is a distinction of things not in the poem , and the value lies in neither of them . If substance and form mean anything in the poem , then each is involved in the other , and the question in which of them the value ...
Pagina 363
... distinction . In money - ridden societies , where men play with poker chips instead of with economic and esthetic realities , every attempt is made to disguise the fact that the machine has achieved potentially a new collective economy ...
... distinction . In money - ridden societies , where men play with poker chips instead of with economic and esthetic realities , every attempt is made to disguise the fact that the machine has achieved potentially a new collective economy ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York