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Pagina 24
As distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( that is , the knowing of what is individual ) . As distinguished from practice , art is ...
As distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( that is , the knowing of what is individual ) . As distinguished from practice , art is ...
Pagina 233
Our vastly greater systematization of what we have distinguished by abstraction of the features of the spatial and temporal aspects of our world in mathematics and science inclines us to neglect the significance , even for the arts ...
Our vastly greater systematization of what we have distinguished by abstraction of the features of the spatial and temporal aspects of our world in mathematics and science inclines us to neglect the significance , even for the arts ...
Pagina 463
These movements , distinguished from one another by a major emphasis upon some aspect of the critical enterprise , may persist for centuries , but they acquire special importance during certain periods in history .
These movements , distinguished from one another by a major emphasis upon some aspect of the critical enterprise , may persist for centuries , but they acquire special importance during certain periods in history .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |