A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 24
... distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( that is , the knowing of what is individual ) . As distinguished from practice , art is ...
... distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( that is , the knowing of what is individual ) . As distinguished from practice , art is ...
Pagina 232
... distinguished from its one - dimensional extension in time , is greater than the relative emphasis on color as such as distinguished from spatial design in painting . In both cases , however , it is clear not only that the qualitative ...
... distinguished from its one - dimensional extension in time , is greater than the relative emphasis on color as such as distinguished from spatial design in painting . In both cases , however , it is clear not only that the qualitative ...
Pagina 463
... distinguished for its allegiance to Aris- totelian principles derived from the Poetics , flourished in the seventeenth and eighteenth centuries . " Romantic " criticism , which was preponderantly re - creative and which was distinguished ...
... distinguished for its allegiance to Aris- totelian principles derived from the Poetics , flourished in the seventeenth and eighteenth centuries . " Romantic " criticism , which was preponderantly re - creative and which was distinguished ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York