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Pagina 24
As distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( that is , the knowing of what is individual ) . As distinguished from practice , art is ...
As distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( that is , the knowing of what is individual ) . As distinguished from practice , art is ...
Pagina 233
Our vastly greater systematization of what we have distinguished by abstraction of the features of the spatial and temporal aspects of our world in mathematics and science inclines us to neglect the significance , even for the arts ...
Our vastly greater systematization of what we have distinguished by abstraction of the features of the spatial and temporal aspects of our world in mathematics and science inclines us to neglect the significance , even for the arts ...
Pagina 463
These movements , distinguished from one another by a major emphasis upon some aspect of the critical enterprise , may persist for centuries , but they acquire special importance during certain periods in history .
These movements , distinguished from one another by a major emphasis upon some aspect of the critical enterprise , may persist for centuries , but they acquire special importance during certain periods in history .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |