A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 9
... dramatic game is to be found in the nursery games . They consist in this , that an older child , usually a girl , dresses ... drama , originate from the need to experience more than is the lot of the individual to experience . This may ...
... dramatic game is to be found in the nursery games . They consist in this , that an older child , usually a girl , dresses ... drama , originate from the need to experience more than is the lot of the individual to experience . This may ...
Pagina 83
... Dramatic art forms no exception to this law . What drama goes forth to discover and brings to light , is a deep - seated reality that is veiled from us , often in our own interests , by the necessities of life . What is this reality ...
... Dramatic art forms no exception to this law . What drama goes forth to discover and brings to light , is a deep - seated reality that is veiled from us , often in our own interests , by the necessities of life . What is this reality ...
Pagina 331
... drama there may be a scene of unusual significance for the development of the plot , or in a musical composition a single passage , like the Liebestod in Tristan , which overshadows the remainder of the composition or is the climax of ...
... drama there may be a scene of unusual significance for the development of the plot , or in a musical composition a single passage , like the Liebestod in Tristan , which overshadows the remainder of the composition or is the climax of ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York