A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 138
... dream which is often dreamed , though it cannot , in her opinion , mean anything : — " For many a man hath seen himself in dreams His mother's mate , but he who gives no heed To suchlike matters bears the easier life . " The dream of ...
... dream which is often dreamed , though it cannot , in her opinion , mean anything : — " For many a man hath seen himself in dreams His mother's mate , but he who gives no heed To suchlike matters bears the easier life . " The dream of ...
Pagina 154
... Dream - Work SI Dream is neither directed thinking nor directed feeling , but free - that is non - social - association . Hence the associations of dream are personal and can only be understood by reference to the dreamer's personal ...
... Dream - Work SI Dream is neither directed thinking nor directed feeling , but free - that is non - social - association . Hence the associations of dream are personal and can only be understood by reference to the dreamer's personal ...
Pagina 162
... dream , poetic technique is similar to dream technique . The nature of dream technique has been explored by analysts under the general name of " the dream - work . " A dream consists of two layers . Obvious is the manifest content . We ...
... dream , poetic technique is similar to dream technique . The nature of dream technique has been explored by analysts under the general name of " the dream - work . " A dream consists of two layers . Obvious is the manifest content . We ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York