A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 75
Pagina 21
... effect , and , hav- ing done so , passes on to other things . Nature , upon the other hand , forgetting that imitation can be made the sincerest form of insult , keeps on repeating this effect until we all become absolutely wearied of ...
... effect , and , hav- ing done so , passes on to other things . Nature , upon the other hand , forgetting that imitation can be made the sincerest form of insult , keeps on repeating this effect until we all become absolutely wearied of ...
Pagina 87
... effect with causes that are too deep - seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted to laugh at it , we must localize its cause in some intermediate ...
... effect with causes that are too deep - seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted to laugh at it , we must localize its cause in some intermediate ...
Pagina 137
... effect depends on the con- flict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the percep- tion of one's own impotence is the lesson ...
... effect depends on the con- flict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the percep- tion of one's own impotence is the lesson ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York