A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 75
Pagina 21
... effect , and , having done so , passes on to other things . Nature , upon the other hand , forgetting that imitation can be made the sincerest form of insult , keeps on repeating this effect until we all become absolutely wearied of it ...
... effect , and , having done so , passes on to other things . Nature , upon the other hand , forgetting that imitation can be made the sincerest form of insult , keeps on repeating this effect until we all become absolutely wearied of it ...
Pagina 87
... effect with causes that are too deep - seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted to laugh at it , we must localize its cause in some intermediate ...
... effect with causes that are too deep - seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted to laugh at it , we must localize its cause in some intermediate ...
Pagina 137
... effect depends on the conflict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the perception of one's own impotence is the lesson which ...
... effect depends on the conflict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the perception of one's own impotence is the lesson which ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York