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Pagina 21
CYRIL : Nature follows the landscape painter then , and takes her effects from him ? VIVIAN : Certainly . Where , if not from the impressionists , do we get those wonderful brown fogs that come creeping down our streets , blurring the ...
CYRIL : Nature follows the landscape painter then , and takes her effects from him ? VIVIAN : Certainly . Where , if not from the impressionists , do we get those wonderful brown fogs that come creeping down our streets , blurring the ...
Pagina 87
To Το penetrate too far into the personality , to couple the outer effect with causes that are too deep - seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted ...
To Το penetrate too far into the personality , to couple the outer effect with causes that are too deep - seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted ...
Pagina 137
The Oedipus Rex is a tragedy of fate ; its tragic effect depends on the conflict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the ...
The Oedipus Rex is a tragedy of fate ; its tragic effect depends on the conflict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |