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Pagina 21
CYRIL : Nature follows the landscape painter then , and takes her effects from him ? VIVIAN : Certainly . Where , if not from the impressionists , do we get those wonderful brown fogs that come creeping down our streets , blurring the ...
CYRIL : Nature follows the landscape painter then , and takes her effects from him ? VIVIAN : Certainly . Where , if not from the impressionists , do we get those wonderful brown fogs that come creeping down our streets , blurring the ...
Pagina 87
To Το penetrate too far into the personality , to couple the outer effect with causes that are too deep - seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted ...
To Το penetrate too far into the personality , to couple the outer effect with causes that are too deep - seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted ...
Pagina 137
The Oedipus Rex is a tragedy of fate ; its tragic effect depends on the conflict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the ...
The Oedipus Rex is a tragedy of fate ; its tragic effect depends on the conflict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |