A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 233
... elements of color , or duration and succession in a time order to the presentation of elements of sound . Two different orders must combine , so to speak , if we are to have any con- crete pattern at all . Philosophically this was ...
... elements of color , or duration and succession in a time order to the presentation of elements of sound . Two different orders must combine , so to speak , if we are to have any con- crete pattern at all . Philosophically this was ...
Pagina 235
... elements in it are elements of sensuous content intrinsically ordered , elements that are found by means of discrimination in the concrete , but ordered and conceived in abstract series . The serial orders are of at least two sorts ...
... elements in it are elements of sensuous content intrinsically ordered , elements that are found by means of discrimination in the concrete , but ordered and conceived in abstract series . The serial orders are of at least two sorts ...
Pagina 326
... elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satisfactory , for the contrasting elements must offset each other , they must balance . In color , the ...
... elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satisfactory , for the contrasting elements must offset each other , they must balance . In color , the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York