A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 235
... elements in it are elements of sensuous content intrinsically ordered , elements that are found by means of discrimination in the concrete , but ordered and conceived in abstract series . The serial orders are of at least two sorts ...
... elements in it are elements of sensuous content intrinsically ordered , elements that are found by means of discrimination in the concrete , but ordered and conceived in abstract series . The serial orders are of at least two sorts ...
Pagina 326
... elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satisfactory , for the contrasting elements must offset each other , they must balance . In color , the ...
... elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satisfactory , for the contrasting elements must offset each other , they must balance . In color , the ...
Pagina 331
... elements may dominate , though slightly . However , dominance is a relative matter , and an element , not itself of unusual importance in the whole , may nevertheless overshadow another element , relatively . Thus , in the " Young Woman ...
... elements may dominate , though slightly . However , dominance is a relative matter , and an element , not itself of unusual importance in the whole , may nevertheless overshadow another element , relatively . Thus , in the " Young Woman ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York