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Pagina 233
So that the qualitative elements of our intrinsic qualitative orders are as necessary to the sensuous presentation of spatial character as spatial character is to the presentation of elements of color , or duration and succession in a ...
So that the qualitative elements of our intrinsic qualitative orders are as necessary to the sensuous presentation of spatial character as spatial character is to the presentation of elements of color , or duration and succession in a ...
Pagina 326
Balance is equality of oppos- ing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole .
Balance is equality of oppos- ing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole .
Pagina 331
theme in an emphatic way , and have a significance far greater than any of the other elements . Thus , in a portrait , the figure is more important than the background , and the face is more significant than anything else .
theme in an emphatic way , and have a significance far greater than any of the other elements . Thus , in a portrait , the figure is more important than the background , and the face is more significant than anything else .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |