A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 233
... elements of color , or duration and succession in a time order to the presentation of elements of sound . any con- Two different orders must combine , so to speak , if we are to have crete pattern at all . Philosophically this was ...
... elements of color , or duration and succession in a time order to the presentation of elements of sound . any con- Two different orders must combine , so to speak , if we are to have crete pattern at all . Philosophically this was ...
Pagina 235
... elements in it are elements of sensuous content intrinsically ordered , elements that are found by means of discrimination in the concrete , but ordered and conceived in abstract series . The serial orders are of at least two sorts ...
... elements in it are elements of sensuous content intrinsically ordered , elements that are found by means of discrimination in the concrete , but ordered and conceived in abstract series . The serial orders are of at least two sorts ...
Pagina 326
... elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satisfactory , for the contrasting elements must offset each other , they must balance . In color , the ...
... elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satisfactory , for the contrasting elements must offset each other , they must balance . In color , the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York