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Pagina 233
So that the qualitative elements of our intrinsic qualitative orders are as necessary to the sensuous presentation of spatial character as spatial character is to the presentation of elements of color , or duration and succession in a ...
So that the qualitative elements of our intrinsic qualitative orders are as necessary to the sensuous presentation of spatial character as spatial character is to the presentation of elements of color , or duration and succession in a ...
Pagina 326
Balance is equality of oppos- ing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole .
Balance is equality of oppos- ing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole .
Pagina 331
theme in an emphatic way , and have a significance far greater than any of the other elements . Thus , in a portrait , the figure is more important than the background , and the face is more significant than anything else .
theme in an emphatic way , and have a significance far greater than any of the other elements . Thus , in a portrait , the figure is more important than the background , and the face is more significant than anything else .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |