A Modern Book of Esthetics: An Anthology |
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Pagina 233
So that the qualitative elements of our intrinsic qualitative orders are as
necessary to the sensuous presentation of spatial character as spatial character
is to the presentation of elements of color, or duration and succession in a time
order to ...
So that the qualitative elements of our intrinsic qualitative orders are as
necessary to the sensuous presentation of spatial character as spatial character
is to the presentation of elements of color, or duration and succession in a time
order to ...
Pagina 326
Balance is equality of opposing or contrasting elements. Balance is one kind of
esthetic unity, for despite the opposition of the elements in balance, each needs
the other and together they create a whole. Thus the blue demands the gold and
...
Balance is equality of opposing or contrasting elements. Balance is one kind of
esthetic unity, for despite the opposition of the elements in balance, each needs
the other and together they create a whole. Thus the blue demands the gold and
...
Pagina 331
theme in an emphatic way, and have a significance far greater than any of the
other elements. Thus, in a portrait, the figure is more important than the
background, and the face is more significant than anything else. In a novel or
drama there ...
theme in an emphatic way, and have a significance far greater than any of the
other elements. Thus, in a portrait, the figure is more important than the
background, and the face is more significant than anything else. In a novel or
drama there ...
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ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Autore | Melvin Miller Rader |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |