A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 54
... emotion to give more or less lively evidence of its existence by means of exterior signs . When expressed by gesture and rhythmic movement , such emotion pro- duces the dance ; when by rhythmic notes , music ; when by rhythmic words ...
... emotion to give more or less lively evidence of its existence by means of exterior signs . When expressed by gesture and rhythmic movement , such emotion pro- duces the dance ; when by rhythmic notes , music ; when by rhythmic words ...
Pagina 177
... emotion demands something beyond itself to which to attach itself , and thus it soon generates a delusion in lack of something real . Emotion belongs of a certainty to the self . But it belongs to the self that is concerned in the ...
... emotion demands something beyond itself to which to attach itself , and thus it soon generates a delusion in lack of something real . Emotion belongs of a certainty to the self . But it belongs to the self that is concerned in the ...
Pagina 289
... emotion " has been proposed . This theory supposes that amongst the emotions proper to a human being is one particular emotion which is excited by works of art or , more generally , by all " manifestations of the beautiful , " and which ...
... emotion " has been proposed . This theory supposes that amongst the emotions proper to a human being is one particular emotion which is excited by works of art or , more generally , by all " manifestations of the beautiful , " and which ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York