A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 52
... emotional , or subjective , side . of the human personality that is expressed ; and art is distinguished from science by the predominance of subjectivity over objectivity ... emotional expression is 52 ART AS EMOTIONAL EXPRESSION.
... emotional , or subjective , side . of the human personality that is expressed ; and art is distinguished from science by the predominance of subjectivity over objectivity ... emotional expression is 52 ART AS EMOTIONAL EXPRESSION.
Pagina 166
... emotional content does not float about fluidly in the mind ; it is firmly attached , by a hundred interweaving strands , to the manifest content - a piece of external reality . A poem's content is not just emotion , it is organized emotion ...
... emotional content does not float about fluidly in the mind ; it is firmly attached , by a hundred interweaving strands , to the manifest content - a piece of external reality . A poem's content is not just emotion , it is organized emotion ...
Pagina 177
... emotional but there are no separate things called emotions in it . By the same token , emotions are attached to events and objects in their movement . They are not , save in pathological instances , private . And even an " objectless " ...
... emotional but there are no separate things called emotions in it . By the same token , emotions are attached to events and objects in their movement . They are not , save in pathological instances , private . And even an " objectless " ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York