A Modern Book of Esthetics: An Anthology |
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Risultati 1-3 di 73
Pagina 74
In language pruned of mythological symbolism, this only means that art is better
able than any of the immediate expressional activities to give complete and
effective relief from emotional pressure. And it further implies that however
earnestly ...
In language pruned of mythological symbolism, this only means that art is better
able than any of the immediate expressional activities to give complete and
effective relief from emotional pressure. And it further implies that however
earnestly ...
Pagina 164
The novel uses words grammatically so as sharply to exclude all meanings and
therefore all affective tones, except one clear piece of reality, and then derives
the emotional content from this piece of reality and its active relation with the
other ...
The novel uses words grammatically so as sharply to exclude all meanings and
therefore all affective tones, except one clear piece of reality, and then derives
the emotional content from this piece of reality and its active relation with the
other ...
Pagina 166
The whole forms the specific fused glow which is that poem's affective
organization or emotional attitude to its meaning. Hence the same word has a
different affective coloration in one poem from what it has in another, and it is for
this reason ...
The whole forms the specific fused glow which is that poem's affective
organization or emotional attitude to its meaning. Hence the same word has a
different affective coloration in one poem from what it has in another, and it is for
this reason ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York