A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 367
An Anthology Melvin Miller Rader. CHAPTER TWELVE Empathy and Abstraction VERNON LEE Empathy THEODOR LIPPS Empathy , Inner Imitation , and Sense - Feelings WILHELM WORRINGER Abstraction and Empathy Introductory Note MOST OF THE THEORIES ...
An Anthology Melvin Miller Rader. CHAPTER TWELVE Empathy and Abstraction VERNON LEE Empathy THEODOR LIPPS Empathy , Inner Imitation , and Sense - Feelings WILHELM WORRINGER Abstraction and Empathy Introductory Note MOST OF THE THEORIES ...
Pagina 373
... Empathy as a metaphysical and quasi - mytho- logical projection of the ego into the object or shape under observation ; a notion incompatible with the fact that Empathy , being only another of those various mergings of the activities of ...
... Empathy as a metaphysical and quasi - mytho- logical projection of the ego into the object or shape under observation ; a notion incompatible with the fact that Empathy , being only another of those various mergings of the activities of ...
Pagina 386
... empathy . The need of empathy may be regarded as the presupposition of the artistic purpose only where this purpose inclines to the truth of organic life , that is , to naturalism in the higher sense . The feeling of happiness , which ...
... empathy . The need of empathy may be regarded as the presupposition of the artistic purpose only where this purpose inclines to the truth of organic life , that is , to naturalism in the higher sense . The feeling of happiness , which ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York