A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 373
... Empathy as a metaphysical and quasi - mytho- logical projection of the ego into the object or shape under observation ; a notion incompatible with the fact that Empathy , being only another of those various mergings of the activities of ...
... Empathy as a metaphysical and quasi - mytho- logical projection of the ego into the object or shape under observation ; a notion incompatible with the fact that Empathy , being only another of those various mergings of the activities of ...
Pagina 386
... empathy . The need of empathy may be regarded as the presupposition of the artistic purpose only where this purpose inclines to the truth of organic life , that is , to naturalism in the higher sense . The feeling of happiness , which ...
... empathy . The need of empathy may be regarded as the presupposition of the artistic purpose only where this purpose inclines to the truth of organic life , that is , to naturalism in the higher sense . The feeling of happiness , which ...
Pagina 390
... empathic experience : " Esthetic enjoyment is objectified self - enjoyment , " we are at once aware of the polar opposition between these two forms of esthetic enjoyment [ that is , abstraction and empathy ] . On the one hand , the I as ...
... empathic experience : " Esthetic enjoyment is objectified self - enjoyment , " we are at once aware of the polar opposition between these two forms of esthetic enjoyment [ that is , abstraction and empathy ] . On the one hand , the I as ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York