A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Risultati 1-3 di 40
Pagina 374
... enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever different in each new esthetic objecta pleasure caused by viewing the object . In this experience the esthetic object is always ...
... enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever different in each new esthetic objecta pleasure caused by viewing the object . In this experience the esthetic object is always ...
Pagina 375
... enjoyment . One can see that this ground occupies a middle position between the ob- ject of the esthetic enjoyment and the enjoyment itself . Let us stress this first : The above mentioned feelings have not , like the enjoyment , the ...
... enjoyment . One can see that this ground occupies a middle position between the ob- ject of the esthetic enjoyment and the enjoyment itself . Let us stress this first : The above mentioned feelings have not , like the enjoyment , the ...
Pagina 390
... enjoyment is objectified self - enjoyment , " we are at once aware of the polar opposition between these two forms of esthetic enjoyment [ that is , abstraction and empathy ] . On the one hand , the I as a disturbing force , an obstacle ...
... enjoyment is objectified self - enjoyment , " we are at once aware of the polar opposition between these two forms of esthetic enjoyment [ that is , abstraction and empathy ] . On the one hand , the I as a disturbing force , an obstacle ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York