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Pagina 375
Rather , the cause of esthetic enjoyment is myself , the ego ; exactly the same
ego that feels joyous or pleased “ in view " of the object or opposite ” it . This
means first of all that I may not only feel joyful or pleased , but may feel otherwise
...
Rather , the cause of esthetic enjoyment is myself , the ego ; exactly the same
ego that feels joyous or pleased “ in view " of the object or opposite ” it . This
means first of all that I may not only feel joyful or pleased , but may feel otherwise
...
Pagina 376
On the other hand it may be pointed out that after all , in esthetic enjoyment , this
sense of value is objectified . In contemplating the strong , proud , free human
form standing before me I do not feel strong , proud and free as such , or in my
own ...
On the other hand it may be pointed out that after all , in esthetic enjoyment , this
sense of value is objectified . In contemplating the strong , proud , free human
form standing before me I do not feel strong , proud and free as such , or in my
own ...
Pagina 390
Now if we repeat the formula which we found as the basis of empathic
experience : “ Esthetic enjoyment is objectified self - enjoyment , ” we are at once
aware of the polar opposition between these two forms of esthetic enjoyment (
that is ...
Now if we repeat the formula which we found as the basis of empathic
experience : “ Esthetic enjoyment is objectified self - enjoyment , ” we are at once
aware of the polar opposition between these two forms of esthetic enjoyment (
that is ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |