A Modern Book of Esthetics: An Anthology |
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Pagina 375
Rather, the cause of esthetic enjoyment is myself, or the ego; exactly the same
ego that feels joyous or pleased "in view" of the object or "opposite" it. This
means first of all that I may not only feel joyful or pleased, but may feel otherwise
...
Rather, the cause of esthetic enjoyment is myself, or the ego; exactly the same
ego that feels joyous or pleased "in view" of the object or "opposite" it. This
means first of all that I may not only feel joyful or pleased, but may feel otherwise
...
Pagina 376
On the other hand it may be pointed out that after all, in esthetic enjoyment, this
sense of value is objectified. In contemplating the strong, proud, free human form
standing before me I do not feel strong, proud and free as such, or in my own ...
On the other hand it may be pointed out that after all, in esthetic enjoyment, this
sense of value is objectified. In contemplating the strong, proud, free human form
standing before me I do not feel strong, proud and free as such, or in my own ...
Pagina 390
Now if we repeat the formula which we found as the basis of empathic
experience: "Esthetic enjoyment is objectified self-enjoyment," we are at once
aware of the polar opposition between these two forms of esthetic enjoyment [that
is, ...
Now if we repeat the formula which we found as the basis of empathic
experience: "Esthetic enjoyment is objectified self-enjoyment," we are at once
aware of the polar opposition between these two forms of esthetic enjoyment [that
is, ...
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Indice
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Autore | Melvin Miller Rader |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |