A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 16
... esthetically indifferent - may even mar the esthetical effect , for when we learn that a man is really as fine a character as he looks , our appreciation is apt to turn to moral instead of esthetic admiration . In place of esthetic ...
... esthetically indifferent - may even mar the esthetical effect , for when we learn that a man is really as fine a character as he looks , our appreciation is apt to turn to moral instead of esthetic admiration . In place of esthetic ...
Pagina 470
... esthetic material taken up in it than the Eiffel Tower . Esthetic material is not just what the eye and ear respond to but also the images and meanings and emotions below the sensory surface . Anything that begets a feeling connection ...
... esthetic material taken up in it than the Eiffel Tower . Esthetic material is not just what the eye and ear respond to but also the images and meanings and emotions below the sensory surface . Anything that begets a feeling connection ...
Pagina 475
... esthetic value . We now come to the organistic theory of criticism . This follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most fruitful contributions of any philosophy to ...
... esthetic value . We now come to the organistic theory of criticism . This follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most fruitful contributions of any philosophy to ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York