A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 16
... esthetic appreciation is not itself esthetic . This is best shown by the truth that the artistic representation may be more beautiful than the original , like the suggested movements of the Winged Victory or of the figures in ...
... esthetic appreciation is not itself esthetic . This is best shown by the truth that the artistic representation may be more beautiful than the original , like the suggested movements of the Winged Victory or of the figures in ...
Pagina 227
... esthetic attitude , and the impossibility of separating one factor of it from another . And it is the same question as that stated in other words , how a feeling can be got into an object . This is the central problem of the esthetic ...
... esthetic attitude , and the impossibility of separating one factor of it from another . And it is the same question as that stated in other words , how a feeling can be got into an object . This is the central problem of the esthetic ...
Pagina 470
... esthetic material taken up in it than the Eiffel Tower . Esthetic material is not just what the eye and ear respond to but also the images and meanings and emotions below the sensory surface . Anything that begets a feeling connection ...
... esthetic material taken up in it than the Eiffel Tower . Esthetic material is not just what the eye and ear respond to but also the images and meanings and emotions below the sensory surface . Anything that begets a feeling connection ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York