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Pagina 16
But also the knowledge that the natural object possesses the imputed characters - which is esthetically indifferent - may even mar the esthetical effect , for when we learn that a man is really as fine a character as he looks ...
But also the knowledge that the natural object possesses the imputed characters - which is esthetically indifferent - may even mar the esthetical effect , for when we learn that a man is really as fine a character as he looks ...
Pagina 470
A woven Indian basket may have more esthetic material taken up in it than the Eiffel Tower . Esthetic material is not just what the eye and ear respond to but also the images and meanings and emotions below the sensory surface .
A woven Indian basket may have more esthetic material taken up in it than the Eiffel Tower . Esthetic material is not just what the eye and ear respond to but also the images and meanings and emotions below the sensory surface .
Pagina 475
This objectivity of a work of art and accordingly of the esthetic judgment of it was , you recall , the first of three consequences we were going to trace resulting from the organistic definition and standards of esthetic value .
This objectivity of a work of art and accordingly of the esthetic judgment of it was , you recall , the first of three consequences we were going to trace resulting from the organistic definition and standards of esthetic value .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York