A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina xvii
... esthetic experi- ence is shot through with formal characteristics - with rhythm , harmony , design -the collaboration of which constitutes the whole . He believed that esthetic education , especially in the early and most formative ...
... esthetic experi- ence is shot through with formal characteristics - with rhythm , harmony , design -the collaboration of which constitutes the whole . He believed that esthetic education , especially in the early and most formative ...
Pagina 4
... esthetic education , he maintains that the artist is concerned only with appearance , " Schein , " as contrasted with literal reality . Tak- ing his cue from this emphasis upon playful illusion , Lange develops an elaborate theory of ...
... esthetic education , he maintains that the artist is concerned only with appearance , " Schein , " as contrasted with literal reality . Tak- ing his cue from this emphasis upon playful illusion , Lange develops an elaborate theory of ...
Pagina 505
... Education for Peace , Chapter 6 , are interesting comments on Plato's ideas of art and esthetic educa- tion . Aristotle's Poetics is probably the most influential treatise on esthetics ever written . Perhaps the best single commentary ...
... Education for Peace , Chapter 6 , are interesting comments on Plato's ideas of art and esthetic educa- tion . Aristotle's Poetics is probably the most influential treatise on esthetics ever written . Perhaps the best single commentary ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York