A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 369
... object and absorbed therein . Nevertheless , what gives esthetic import to the ob- ject , and what constitutes the ground of its enjoyment , is this very act of con- templation . The mind unconsciously enlivens the outward form by ...
... object and absorbed therein . Nevertheless , what gives esthetic import to the ob- ject , and what constitutes the ground of its enjoyment , is this very act of con- templation . The mind unconsciously enlivens the outward form by ...
Pagina 374
... Esthetic enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever different in each new esthetic object- a pleasure caused by viewing the object . In this experience the esthetic object is ...
... Esthetic enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever different in each new esthetic object- a pleasure caused by viewing the object . In this experience the esthetic object is ...
Pagina 375
... esthetic enjoyment and the enjoyment itself . Let us stress this first : The above mentioned feelings have not , like the enjoyment , the beautiful thing for an object . I feel in the esthetic contemplation of the beautiful object in ...
... esthetic enjoyment and the enjoyment itself . Let us stress this first : The above mentioned feelings have not , like the enjoyment , the beautiful thing for an object . I feel in the esthetic contemplation of the beautiful object in ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York