A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina xviii
... estheticians disagree has been exaggerated ; their considerable measure of agreement provides a basis for a tentative , working definition . Rather than the advice . of Wittgenstein , “ Beware of definition , " I prefer the guiding ...
... estheticians disagree has been exaggerated ; their considerable measure of agreement provides a basis for a tentative , working definition . Rather than the advice . of Wittgenstein , “ Beware of definition , " I prefer the guiding ...
Pagina xxvi
... estheticians agree with Tolstoy and Véron that ugliness may be legitimately introduced into the work of art not merely as a foil to beauty but for the sake of its own independent expressiveness . Others agree with Croce that artistic ...
... estheticians agree with Tolstoy and Véron that ugliness may be legitimately introduced into the work of art not merely as a foil to beauty but for the sake of its own independent expressiveness . Others agree with Croce that artistic ...
Pagina 301
... estheticians have disagreed as to the meaning of form . A number of writers have interpreted form as sheer abstract design , to the exclusion of connotations and representations . This point of view was championed in musical esthetics ...
... estheticians have disagreed as to the meaning of form . A number of writers have interpreted form as sheer abstract design , to the exclusion of connotations and representations . This point of view was championed in musical esthetics ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
12 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York