A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina xviii
... estheticians disagree has been exaggerated ; their considerable measure of agree- ment provides a basis for a tentative , working definition . Rather than the advice of Wittgenstein , " Beware of definition , " I prefer the guiding ...
... estheticians disagree has been exaggerated ; their considerable measure of agree- ment provides a basis for a tentative , working definition . Rather than the advice of Wittgenstein , " Beware of definition , " I prefer the guiding ...
Pagina xxvi
... estheticians agree with Tolstoy and Véron that ugliness may be legitimately introduced into the work of art not merely as a foil to beauty but for the sake of its own independent expressiveness . Others agree with Croce that artistic ...
... estheticians agree with Tolstoy and Véron that ugliness may be legitimately introduced into the work of art not merely as a foil to beauty but for the sake of its own independent expressiveness . Others agree with Croce that artistic ...
Pagina 301
... estheticians have disagreed as to the meaning of form . A number of writers have interpreted form as sheer abstract design , to the exclusion of connotations and representations . This point of view was championed in musical esthetics ...
... estheticians have disagreed as to the meaning of form . A number of writers have interpreted form as sheer abstract design , to the exclusion of connotations and representations . This point of view was championed in musical esthetics ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York