A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 156
... example when someone exclaims " Brute ! " we do not think of animals and then of brutish quali- ties , but have a powerful subjective reaction suggesting cruelty and clumsiness . This is a poetic reaction to a word ; the other is a ...
... example when someone exclaims " Brute ! " we do not think of animals and then of brutish quali- ties , but have a powerful subjective reaction suggesting cruelty and clumsiness . This is a poetic reaction to a word ; the other is a ...
Pagina 202
... example , lines , colors , volumes , subjects , etc. , all interacting upon one another on a paint surface of some sort . Certainly , at one time at least it seemed to me that this organic theory constituted the one true and real ...
... example , lines , colors , volumes , subjects , etc. , all interacting upon one another on a paint surface of some sort . Certainly , at one time at least it seemed to me that this organic theory constituted the one true and real ...
Pagina 237
... example , Saint - Saëns ' " The Swan " resembles serene and graceful motion ; it also resembles an emotion that is similarly serene ) . The function of the esthetic icon is to express an appraisal or valuation . An example would be the ...
... example , Saint - Saëns ' " The Swan " resembles serene and graceful motion ; it also resembles an emotion that is similarly serene ) . The function of the esthetic icon is to express an appraisal or valuation . An example would be the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York