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Pagina 156
For example when someone exclaims " Brute ! " we do not think of animals and then of brutish qualities , but have a powerful subjective reaction suggesting cruelty and clumsiness . This is a poetic reaction to a word ; the other is a ...
For example when someone exclaims " Brute ! " we do not think of animals and then of brutish qualities , but have a powerful subjective reaction suggesting cruelty and clumsiness . This is a poetic reaction to a word ; the other is a ...
Pagina 202
My final example is the most interesting of all , logically speaking . This is the Voluntarist theory of Parker . In his writings on art , Parker persistently calls into question the traditional simpleminded definitions of esthetics .
My final example is the most interesting of all , logically speaking . This is the Voluntarist theory of Parker . In his writings on art , Parker persistently calls into question the traditional simpleminded definitions of esthetics .
Pagina 214
For example , the most popular doctrines of the relation between art and imagination in English are confined to literature and particularly to poetry . I refer to the doctrines of Coleridge and other poets and critics of the romantic ...
For example , the most popular doctrines of the relation between art and imagination in English are confined to literature and particularly to poetry . I refer to the doctrines of Coleridge and other poets and critics of the romantic ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York