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Pagina 126
The highest state of Yea - saying to existence is conceived as one from which the greatest pain may not be excluded : the tragico - Dionysian state . D. — In this way this book is even anti - pessimistic , namely , in the sense that it ...
The highest state of Yea - saying to existence is conceived as one from which the greatest pain may not be excluded : the tragico - Dionysian state . D. — In this way this book is even anti - pessimistic , namely , in the sense that it ...
Pagina 390
We are released from our individual existence so long as we with our inner impulse to experience are absorbed in an external object , in an external form . We feel as if our individuality were flowing within fixed limits as against the ...
We are released from our individual existence so long as we with our inner impulse to experience are absorbed in an external object , in an external form . We feel as if our individuality were flowing within fixed limits as against the ...
Pagina 441
But is that really the only end in our existence ; is the world really for us merely a material to be used and never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our ...
But is that really the only end in our existence ; is the world really for us merely a material to be used and never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |