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Pagina 126
The highest state of Yea - saying to existence is conceived as one from which the greatest pain may not be excluded : the tragico - Dionysian state . D. — In this way this book is even anti - pessimistic , namely , in the sense that it ...
The highest state of Yea - saying to existence is conceived as one from which the greatest pain may not be excluded : the tragico - Dionysian state . D. — In this way this book is even anti - pessimistic , namely , in the sense that it ...
Pagina 390
We are released from our individual existence so long as we with our inner impulse to experience are absorbed in an external object , in an external form . We feel as if our individuality were flowing within fixed limits as against the ...
We are released from our individual existence so long as we with our inner impulse to experience are absorbed in an external object , in an external form . We feel as if our individuality were flowing within fixed limits as against the ...
Pagina 441
But is that really the only end in our existence ; is the world really for us merely a material to be used and never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our ...
But is that really the only end in our existence ; is the world really for us merely a material to be used and never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |